Textiles, kimono, obi, boro, and sashiko
We look for stains, odor, fading, fiber weakness, sizing or display issues, remake suitability, false “boro” claims, and whether the piece is best treated as wearable, decorative, remake, or archive material.
Prints, paper, and wall art
We flag edition uncertainty, later impressions, reprints, foxing, trimming, backing, fading, framing risk, artist or publisher ambiguity, and condition issues that photos often soften.
Lacquer, maki-e, cloisonné, and Meiji craft
We look for cracks, lifting lacquer, over-polishing, missing inlay, enamel damage, restoration, signature uncertainty, box mismatch, and whether the object’s technical quality supports the seller’s claim.
Samurai armor, fittings, and display objects
We review condition, assembly questions, replacement parts, display stability, seller claims, compliance sensitivity, export concerns, and whether the item is collector-grade, decorative, or mixed-period.
Tetsubin, kyusu, tea objects, and boxed craft
We check rust, mineral buildup, lining condition, missing parts, box fit, maker or kiln claims, ceremonial-use context, safety questions, and whether the object is collector-grade, usable, decorative, or over-described.
Netsuke, okimono, masks, dolls, and folk collectibles
We look for material claims, carving quality, region or maker attribution, age uncertainty, cracks, repairs, replaced parts, souvenir-grade copies, set completeness, and whether charm is being priced as provenance.
Tansu, byobu, ranma, and interior statement pieces
We consider dimensions, restoration, insect history, structural stability, room placement, freight difficulty, crating logic, surface condition, and whether the piece can realistically travel or install well.
Buddhist, ritual, and culturally sensitive objects
We treat devotional and temple-adjacent items with extra care, including provenance gaps, ethical sourcing concerns, potential theft sensitivity, export issues, respectful handling, and documentation needs.